The Gingko foundations promote and facilitate dialogue between the Middle East and the Western world through conferences, events and scholarly publications. In the face of an increasingly virulent divide between East and West, we enable constructive, informed and open discussion, giving a voice to a new generation of thinkers and opinion formers.
The Gingko Presents: Diana Darke
Diana Darke is a writer and Middle East cultural specialist who bought a semi-derelict Damascene courtyard house in 2005. Over a three-year period she restored it with the help of a Syrian architect and local craftsmen. When civil war broke out six years later, she offered it as a shelter for her Syrian friends, but it was soon taken from them through false terrorism charges, one of many such instances across Syria since the war began. She tells us her story.
Diana’s book ‘My House in Damascus: An Inside View of the Syrian Crisis’ is available from Haus Publishing.
On art and exchange in the Islamicate world during 17th – 18th centuries
Gingko-The Courtauld Institute of Art Conference
18-19 November 2016, Barenboim-Said Akademie, Berlin
Convened by Dr Sussan Babaie, The Courtauld Institute of Art, University of London
Dr Barbara Schwepcke, Gingko Library
From Agra to Aleppo, Bandar Abbas to Marseilles, Cairo to Canton, Goa to Zanzibar; peoples as diverse as Armenians, Chinese, Arabs, Persians and Europeans, traversed long distances along land and maritime trade routes moving art things and their attendant ideas, ideals, and technologies. The development of mercantile networks and global trade routes in the early modern period relied on the emergence of new institutional and cultural methods of exchange. The formulation of diverse collective ventures was organized through the Dutch, English and French East India companies and additionally by the establishment of a colonial presence in the New World by the Dutch and Portuguese, ensuring a territorial sphere of power and increased influence through trade. Material culture – including building ideas – connected aspirations towards prestigious foreign and exotic objects, new luxuries in manufactured textiles, inlaid metalwork, paper products, glazed ceramic and painted porcelain vessels.
The conference will include a literary event, a milestone on the road to the New Divan, the lyrical dialogue between East and West, which will culminate in the Gingko Conference in 2019, on the 200th anniversary of the publication of Johann Wolfgang von Goethe’s West-östlicher Divan.
The Barenboim-Said Akademie is a music academy in Berlin, which finds its roots in the spirit of the West-Eastern Divan Orchestra, an orchestra founded by the conductor and pianist Daniel Barenboim and Edward W. Said, the American-Palestinian literary theorist and public intellectual, in order to unite young Arab and Israeli musicians.
The Courtauld Institute of Art is the world’s leading centre for the study of art history, conservation and curating.
Gingko promotes dialogue with the Middle East, West Asia and North Africa.(Gingko Library, a registered charity in England and Wales, and the Stiftung-Gingko Library, Munich and Berlin)
The Multaka (Treffpunkt Museum – refugees as guides at the Museum für Islamische Kunst) project trains Syrian and Iraqi refugees as museum guides so that they can lead museum tours for Arabic-speaking refugees in their native language. ‘Multaqa’ (Arabic for meeting point) also aims to facilitate the interchange of diverse cultural and historical experiences.
The presentations and discussions will be live-streamed on Youtube and Facebook Live to reach the widest possible audience, who are invited to participate in the discussion via the Twitter handle ♯askGingko.
Full Conference Programme Available: Gingko- The Courtauld Conference Programme
To register please click here
Latest from our Newsblog
Special Lecture in Munich: the New Divan and Blue and White Ceramics
by Dr. Barbara Schwepcke and Dr. Melanie Gibson, 21.04.16
What is it like to translate Nobel Prize Winner Naguib Mahfouz?
by Aran Byrne, 10.3.16
“The Revolution Was a Wave that Overtook Me”: A Conversation with Photographer Parham Taghioff
by Milad Odabaei, 4.3.16